Opublikowane 13.07.2023
Wersje
- 14.09.2023 - (2)
- 13.07.2023 - (1)
Słowa kluczowe
- efekt Baldwina ,
- muzykalność,
- puls muzyczny,
- synchronizacja dźwiękowo-ruchowa,
- uczenie się wokalne
- wysokość muzyczna ...More
Prawa autorskie (c) 2023 Filozoficzne Aspekty Genezy
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne 4.0 Międzynarodowe.
Jak cytować
Abstrakt
Jednym ze szczególnych rodzajów świadomych doznań człowieka jest doświadczenie muzyki. Wyjątkowość doświadczeń muzycznych wiąże się z trudnym do wyrażenia rodzajem przeżyć o charakterze przedkonceptualnym. Muzyka jest jednocześnie zjawiskiem generatywnym, przypominającym pod tym względem język naturalny, i tak jak język naturalny jest specyficzna dla gatunku Homo sapiens. By zrozumieć przyczyny specyfiki doświadczenia muzyki, trzeba odpowiedzieć na pytanie o genezę ludzkiej muzykalności. Tę ostatnią wyznacza zestaw zdolności poznawczych umożliwiających rozpoznawanie muzyki i aktywność muzyczną. Celem artykułu jest zarysowanie współczesnych poglądów na genezę muzykalności oraz wskazanie na możliwą rolę ewolucji muzykalności w powstaniu złożonej świadomości konceptualnej, jaka charakteryzuje współczesnych ludzi. W artykule zostały przedstawione prawdopodobne funkcje adaptacyjne muzyki oraz ich związek z kluczowymi dla doświadczenia muzyki zdolnościami poznawczymi, a także hipotetyczna rola ewolucji baldwinowskiej w powstaniu muzykalności. Procesy tej ewolucji mogły być przyczyną powstania cech generatywnych muzyki. Powstanie generatywności muzycznej w zaproponowanym scenariuszu ewolucyjnym stało się punktem zwrotnym ewolucji złożonej świadomości konceptualnej człowieka, umożliwiając wykorzystanie mechanizmu generatywnego do tworzenia złożonych relacji hierarchicznych pomiędzy istniejącymi wcześniej składowymi pierwotnej świadomości konceptualnej.
Downloads
Bibliografia
- Baldwin J. Mark, A New Factor in Evolution, The American Naturalist 1896, Vol. 30, No. 354, s. 441–451, https://doi.org/10.1086/276408.
- Baldwin J. Mark, A New Factor in Evolution (Continued), The American Naturalist 1896, Vol. 30, No. 355, s. 536–553, https://doi.org/10.1086/276428.
- Bannan Nicholas, An Evolutionary Perspective on the Human Capacity for Singing, w: Frank A. Russo, Beatriz Ilari, and Annabel J. Cohen (eds.), The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development, Routledge, New York — London 2020, s. 39–51.
- Bannan Nicholas, Harmony and its Role in Human Evolution, w: Nicholas Bannan (ed.), Music, Language, and Human Evolution, Oxford University Press, Oxford 2012, s. 288–340.
- Bannan Nicholas and Woodward Sheila C., Spontaneity in the Musicality and Music Learning of Children, w: Stephen Malloch and Colwyn Trevarthen (eds.), Communicative musicality. Exploring the Basis of Human Companionship, Oxford University Press, Oxford — New York 2009, s. 465–494.
- Bickerton Derek, Tongue Adam’s, How Humans Made Language, How Language Made Humans, Hill and Wang, New York 2010, s. 208.
- Blacking John, How musical is man?, University of Washington Press, Seattle — London 1973.
- Bod Rens, Historia humanistyki: zapomniane nauki, przeł. Robert Pucek, Wydawnictwo Aletheia, Warszawa 2013.
- Brandt Anthony, Gebrian Molly, and Slevc L. Robert, Music and Early Language Acquisition, Frontiers in Psychology 2012, Vol. 3, A 327, https://doi.org/10.3389/fpsyg.2012.00327.
- Brown Steven, The Unification of the Arts: A Framework for Understanding What the Arts Share and Why, Oxford University Press, Oxford — New York 2022.
- Brown Steven, Toward a Unification of the Arts, Frontiers in Psychology 2018, Vol. 9, A 1938, https://tiny.pl/c7mps [dostęp: 10.12.2022 ].
- Brown Steven and Jordania Joseph, Universals in the World’s Musics, Psychology of Music 2013, Vol. 41, No. 2, s. 229–248, https://doi.org/10.1177/0305735611425896.
- Castellano Mary A., Bharucha Jamshed J., and Krumhansl Carol L., Tonal Hierarchies in the Music of North India, Journal of experimental psychology. General 1984, Vol. 113, No. 3, s. 394–412.
- Charlton Benjamin D., Menstrual Cycle Phase Alters Women’s Sexual Preferences for Composers of More Complex Music, Proceedings of the Royal Society B: Biological Sciences 2014, Vol. 281, No. 1784, A 20140403, https://doi.org/10.1098/rspb.2014.0403.
- Charlton Benjamin D, Filippi Piera, and Fitch W. Tecumseh, Do Women Prefer More Complex Music around Ovulation?, PLoS ONE 2012, Vol. 7, No. 4, A e35626, https://doi.org/10.1371/journal.pone.0035626.
- Cheney Dorothy L. and Seyfarth Robert M., Baboon Metaphysics: The Evolution of a Social Mind, The University of Chicago Press, Chicago, London 2007
- Clay Zanna and Zuberbühler Klaus, Food-Associated Calling Sequences in Bonobos, Animal Behaviour 2009, Vol. 77, No. 6, s. 1387–1396, https://doi.org/10.1016/J.ANBEHAV.2009.02.016.
- Cook Nicholas, Music: A Very Short Introduction, Oxford University Press, Oxford 2000.
- Dahlhaus Carl and Eggebrecht Hans Heinrich, Co to jest muzyka?, przeł. Dorota Lachowska, Państwowy Instytut Wydawniczy, Warszawa 1992.
- Darwin Karol, Dobór płciowy, Dzieła wybrane, t. V, przeł. Krystyna Zaćwilichowska, Biblioteka Klasyków Biologii, Państwowe Wydawnictwo Rolnicze i Leśne, Warszawa 1960.
- Denton Derek A., The Primordial Emotions: The dawning of consciousness, Oxford University Press, Oxford, New York 2006.
- Dissanayake Ellen, If Music is the Food of Love, what about Survival and Reproductive Success?, Musicae Scientiae 2008, Vol. 12, Vol. 1, s. 169–195, https://doi.org/10.1177/1029864908012001081.
- Falk Dean, Prelinguistic Evolution in Early Hominins: Whence Motherese?, Behavioral and Brain Sciences 2004, Vol. 27, No. 2004, s. 491–541, https://doi.org/10.1017/S0140525X04000111.
- Fitch W. Tecumseh, Four Principles of Bio-Musicology, Philosophical Transactions of the Royal Society of London B: Biological Sciences 2015, Vol. 370, No. 1664, A 2014009, https://doi.org/10.1098/rstb.2014.0091.
- Godfrey-Smith Peter, Between Baldwin Scepticism and Baldwin Boosterism, w: Bruce H. Weber and David J. Depew (eds.), Evolution and Learning: The Baldwin Effect Reconsidered, The MIT Press, Cambridge — London 2007, s. 53–67.
- Grahn Jessica A., The Role of the Basal Ganglia in Beat Perception, Annals of the New York Academy of Sciences 2009, Vol. 1169, No. 1, s. 35–45, https://doi.org/10.1111/j.1749-6632.2009.04553.x.
- Hagen Edward H. and Gregory A. Bryant, Music and Dance As a Coalition Signaling System, Human Nature 2003, Vol. 14, No. 1, s. 21–51, https://doi.org/10.1007/s12110-003-1015-z.
- Hagen Edward H. and Hammerstein Peter, Did Neanderthals and Other Early Humans Sing? Seeking the Biological Roots of Music in the Territorial Advertisements of Primates, Lions, Hyenas, and Wolves, Musicae Scientiae 2009, Vol. 13, No. 2, s. 291–320, https://doi.org/10.1177/1029864909013002131.
- Harrison Peter M.C. and Seale Madeleine, Against Unitary Theories of Music Evolution, Behavioral and Brain Sciences 2021, Vol. 44, A e76, https://doi.org/DOI: 10.1017/S0140525X20001314.
- Hattori Yuko and Tomonaga Masaki, Rhythmic Swaying Induced by Sound in Chimpanzees (Pan troglodytes), Proceedings of the National Academy of Sciences 2020, Vol. 117, No. 2, A 936 LP–942, https://doi.org/10.1073/pnas.1910318116.
- Hattori Yuko, Tomonaga Masaki, and Matsuzawa Tetsuro, Spontaneous Synchronized Tapping to an Auditory Rhythm in a Chimpanzee, Scientific Reports 2013, Vol. 3, No. 1, A 1566, https://doi.org/10.1038/srep01566.
- Hauser Marc D., Chomsky Noam, and Fitch W. Tecumseh, The Faculty of Language: What is It, Who has It, and How did It Evolve?, Science 2002, Vol. 298, No. 5598, s. 1569–1579, https://doi.org/10.1126/science.298.5598.1569.
- Honing Henkjan, On the Biological Basis of Musicality, Annals of the New York Academy of Sciences 2018, Vol. 1423, No. 1, s. 51–56, https://doi.org/https://doi.org/10.1111/nyas.13638.
- Hurford James R., The Origins of Meaning: Language in the Light of Evolution, Oxford University Press, Oxford 2007.
- Jordania Joseph, Why Do People Sing? Music in Human Evolution, Logos, Tbilisi 2011.
- Juslin Patrik N., Mind the Gap: The Mediating Role of Emotion Mechanisms in Social Bonding through Musical Activities, Behavioral and Brain Sciences 2021, Vol. 44, A e80, https://doi.org/DOI: 10.1017/S0140525X2000120X.
- Kessler Edward J., Hansen Christa, and Shepard Roger N., Tonal Schemata in the Perception of Music in Bali and in the West, Music Perception 1984, Vol. 2, No. 2, s. 131–165, https://doi.org/10.2307/40285289.
- Killin Anton, Rethinking Music’s Status as Adaptation Versus Technology: a Niche Construction Perspective, Ethnomusicology Forum 2016, Vol. 25, s. 1–24, https://doi.org/10.1080/17411912.2016.1159141.
- Large Edward W. and Gray Patricia M., Spontaneous Tempo and Rhythmic Entrainment in a Bonobo (Pan paniscus), Journal of Comparative Psychology 2015, Vol. 129, No. 4, s. 317–328, https://doi.org/10.1037/com0000011.
- London Justin, Three Things Linguists Need to Know about Rhythm and Time in Music, Empirical Musicology Review 2012, Vol. 7, No. 1–2, s. 5–11.
- Lumsden Charles J. and Wilson Edward Osborne, Précis of Genes, Mind, and Culture, The Behavioral and Brain Sciences 1982, Vol. 5, s. 1–37, https://doi.org/10.1142/5786.
- Madison Guy, Holmquist Jakob, and Vestin Mattias, Musical Improvisation Skill in a Prospective Partner is Associated with Mate Value and Preferences, Consistent with Sexual Selection and Parental Investment Theory: Implications for the Origin of Music, Evolution and Human Behavior 2018, Vol. 39, s. 120–129, https://doi.org/10.1016/j.evolhumbehav.2017.10.005.
- Marin Manuela M., Schober Raphaela, Gingras Bruno, and Leder Helmut, Misattribution of Musical Arousal Increases Sexual Attraction towards Opposite-Sex Faces in Females, PloS One 2017, Vol. 12, No. 9, A e0183531–e0183531, https://doi.org/10.1371/journal.pone.0183531.
- McAllester David P., Some Thoughts on «Universals» in World Music, Ethnomusicology 1971, Vol. 15, No. 3, s. 379–380, https://doi.org/10.2307/850637.
- Mehr Samuel A., Krasnow Max M., Bryant Gregory A., and Hagen Edward H., Origins of Music in Credible Signaling, Behavioral and Brain Sciences 2021, Vol. 44, A e60, https://doi.org/DOI:10.1017/S0140525X20000345.
- Mehr Samuel A., Singh Manvir, Knox Dean, Ketter Daniel M., Pickens-Jones Daniel, Atwood S., Lucas Christopher, Jacoby Nori, Egner Alena A., Hopkins Erin J., Howard Rhea M., Hartshorne Joshua K., Jennings Mariela V., Simson Jan, Bainbridge Constance M., Pinker Steven, O’Donnell Timothy J., Krasnow Max M., and Glowacki Luke, Universality and Diversity in Human Song, Science 2019, Vol. 366, No. 970, A eaax0868, https://doi.org/10.1126/science.aax0868.
- Merker Björn, Music: The missing Humboldt System, Musicae Scientiae 2002, Vol. 6, s. 3–21, https://doi.org/10.1177/102986490200600101.
- Merker Björn, The Conformal Motive in Birdsong, Music, and Language: an Introduction, Annals of the New York Academy of Sciences 2005, Vol. 1060, s. 17–28, https://doi.org/10.1196/annals.1360.003.
- Merker Björn, “The Vocal Learning Constellation, w: Nicholas Bannan (ed.), Music, Language, and Human Evolution, Oxford University Press, London 2012, s. 215–260.
- Miller Geoffrey F., “Evolution of Human Music Through Sexual Selection, w: Nils Lennart Wallin, Björn Merker, and Steven Brown (eds.), The Origins of Music, The MIT Press, Cambridge, London 2000, s. 329–360.
- Mithen Steven J., “The Music Instinct: The Evolutionary Basis of Musicality, Annals of the New York Academy of Sciences 2009, Vol. 1169, No. 1, s. 3–12, https://doi.org/10.1111/j.1749-6632.2009.04590.x.
- Mithen Steven J., The singing Neanderthals: the Origins of Music, Language, Mind, and Body, Harvard University Press, Cambridge 2006.
- Morley Iain, The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality, Oxford University Press, New York 2013.
- Mosing Miriam A., Verweij Karin J.H., Madison Guy, Pedersen Nancy L., Zietsch Brendan P., and Ullén Fredrik, “Did Sexual Selection Shape Human Music? Testing Predictions from the Sexual Selection Hypothesis of Music Evolution Using a Large Genetically Informative Sample of over 10,000 Twins, Evolution and Human Behavior 2014, Vol. 36, No. 5, s. 359–366, https://doi.org/10.1016/j.evolhumbehav.2015.02.004.
- Nam Unjung, “Pitch Distributions in Korean Court Music: Evidence Consistent with Tonal Hierarchies, Music Perception 1998, Vol. 16, No. 2, s. 243–247, https://doi.org/10.2307/40285789.
- Nattiez Jean-Jacques, “Under what Conditions Can One Speak of the Universals of Music?, The World of Music 1977, Vol. 19, No. 1/2, s. 92–105, https://tiny.pl/c7mpg [dostęp 10.12.2022r.].
- Nettl Bruno, “On the Question of Universals, The World of Music 1977, Vol. 19, No. 1/2, s. 2–7, http://www.jstor.org/stable/43560436 [dostęp 10.12.2022r.].
- Patel Aniruddh D., “Music as a Transformative Technology of the Mind: An Update, w: Henkjan Honing (red.), The Origins of Musicality, The MIT Press, Cambridge 2018, s. 113–126.
- Patel Aniruddh D., “Vocal Learning as a Preadaptation for the Evolution of Human Beat Perception and Synchronization, Philosophical Transactions of the Royal Society B: Biological Sciences 2021, Vol. 376, No. 1835, A 20200326, https://doi.org/10.1098/rstb.2020.0326.
- Patel Aniruddh D., Iversen John R., Bregman Micah R., and Schulz Irena, “Studying Synchronization to a Musical Beat in Nonhuman Animals, Annals of the New York Academy of Sciences 2009, Vol. 1169, No. 1, s. 459–469, https://doi.org/10.1111/j.1749-6632.2009.04581.x.
- Pearce Eiluned, Launay Jacques, and Dunbar Robin I.M., “The Ice-Breaker Effect: Singing Mediates Fast Social Bonding, Royal Society Open Science 2015, Vol. 2, No. 10, s. 1–9, https://doi.org/10.1098/rsos.150221.
- Pearce Eiluned, Launay Jacques, Duijn Max, Rotkirch Anna, David-Barrett Tamas, and Dunbar Robin I.M., “Singing Together or Apart: The Effect of Competitive and Cooperative Singing on Social Bonding within and Between Sub-Groups of a University Fraternity, Psychology of Music 2016, Vol. 44, No. 6, s. 1255–1273, https://doi.org/10.1177/0305735616636208.
- Peretz Isabelle, “Musical Disorders: From Behavior to Genes, Current Directions in Psychological Science 2008, Vol. 17, No. 5, s. 329–333, https://doi.org/10.1111/j.1467-8721.2008.00600.x.
- Peretz Isabelle, “The Nature of Music from a Biological Perspective, Cognition 2006, Vol. 100, No. 1, s. 1–32, https://doi.org/10.1016/j.cognition.2005.11.004.
- Peretz Isabelle, Ayotte Julie, Zatorre Robert J., Mehler Jacques, Ahad Pierre, Penhune Virginia B., and Jutras Benoı̂t, “Congenital Amusia: A disorder of Fine-Grained Pitch Discrimination, Neuron 2002, Vol. 33, No. 2, s. 185–191, https://doi.org/10.1016/S0896-6273(01)00580-3.
- Peretz Isabelle, Champod Annie Sophie, and Hyde Krista, “Varieties of Musical Disorders. The Montreal Battery of Evaluation of Amusia, Annals of the New York Academy of Sciences 2003, Vol. 999, s. 58–75.
- Peretz Isabelle, Cummings Stéphanie, and Dubé Marie-Pierre, “The Genetics of Congenital Amusia (Tone Deafness): A Family-Aggregation Study, The American Journal of Human Genetics 2007, Vol. 81, No. 3, s. 582–588, https://doi.org/10.1086/521337.
- Peretz Isabelle and Vuvan Dominique T., “Prevalence of Congenital Amusia, European Journal of Human Genetics 2017, Vol. 25, No. 5, s. 625–630, https://doi.org/10.1038/ejhg.2017.15.
- Pinker Steven, How the Mind Works, Norton, New York 1997.
- Pinker Steven and Jackendoff Ray, “The Faculty of Language: What’s Special about It?, Cognition 2005, Vol. 95, No. 2, s. 201–236, https://doi.org/10.1016/j.cognition.2004.08.004.
- Podlipniak Piotr, “Free Rider Recognition — A Missing Link in the Baldwinian Model of Music Evolution, Psychology of Music 2022, w druku A 03057356221129319.
- Podlipniak Piotr, Instynkt tonalny: koncepcja ewolucyjnego pochodzenia tonalności muzycznej, Wydawnictwo Naukowe UAM, Poznań 2015.
- Podlipniak Piotr, “Pitch Syntax as an Evolutionary Prelingual Innovation, Musicae Scientiae 2022, Vol. 26, No. 2, s. 280–302, https://doi.org/10.1177/1029864920941551.
- Piotr Podlipniak, “Pitch Syntax as Part of an Ancient Protolanguage, Lingua 2022, Vol. 271, A 103238a, https://doi.org/10.1016/j.lingua.2021.103238.
- Podlipniak Piotr, “The Evolutionary Origin of Pitch Centre Recognition, Psychology of Music 2016, Vol. 44, No. 3, s. 527–543, https://doi.org/10.1177/0305735615577249.
- Podlipniak Piotr, “The Role of Canalization and Plasticity in the Evolution of Musical Creativity, Frontiers in Neuroscience 2021, Vol. 15, A 267, https://doi.org/10.3389/fnins.2021.607887.
- Podlipniak Piotr, “The Role of the Baldwin effect in the Evolution of Human Musicality, Frontiers in Neuroscience 2017, Vol. 11, A 542, https://doi.org/10.3389/fnins.2017.00542.
- Podlipniak Piotr, Uniwersalia muzyczne, Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, Poznań 2007.
- Ravignani Andrea, “Darwin, Sexual Selection, and the Origins of Music, Trends in Ecology and Evolution 2018, Vol. 33, No. 10, s. 716–719, https://doi.org/10.1016/j.tree.2018.07.006.
- Roederer Juan G., “The Search for a Survival Value of Music, Music Perception: An Interdisciplinary Journal 1984, Vol. 1, No. 3, s. 350–356, https://doi.org/10.2307/40285265.
- Savage Patrick E., Brown Steven, Sakai Emi, and Currie Thomas E., “Statistical Universals Reveal the Structures and Functions of Human Music, Proceedings of the National Academy of Sciences of the United States of America 2015, Vol. 112, No. 29, s. 8987–8992, https://doi.org/10.1073/pnas.1414495112.
- Savage Patrick E., Loui Psyche, Tarr Bronwyn, Schachner Adena, Glowacki Luke, Mithen Steven, and Fitch W. Tecumseh, “Music as a Coevolved System for Social Bonding, Behavioral and Brain Sciences 2021, Vol. 44, A e59, https://doi.org/10.1017/S0140525X20000333.
- Savage Patrick E., Loui Psyche, Tarr Bronwyn, Schachner Adena, Glowacki Luke, Mithen Steven, and Fitch W. Tecumseh, “Toward Inclusive Theories of the Evolution of Musicality, Behavioral and Brain Sciences 2021, Vol. 44, A e121, https://doi.org/10.1017/S0140525X21000042.
- Sluming Vanessa A. and Manning John T., “Second to Tourth Digit Ratio in Elite Musicians: Evidence for Musical Ability as an Honest Signal of Male Fitness, Evolution and Human Behavior 2000, Vol. 21, No. 1, s. 1–9, https://doi.org/https://doi.org/10.1016/S1090-5138(99)00026-4.
- Spencer Herbert, “The Origin of Music, Mind 1890, Vol. 15, s. 449–468, https://doi.org/10.2307/2247370.
- Tan Yi Ting, Mcpherson Gary E., Peretz Isabelle, Berkovic Samuel F., and Wilson Sarah J., “The Genetic Basis of Music Ability, Frontiers in Psychology 2014, Vol. 5, s. 1–19, https://doi.org/10.3389/fpsyg.2014.00658.
- Tarr Bronwyn, Launay Jacques, and Dunbar Robin I.M., “Music and Social Bonding: «Self-Other» Merging and Neurohormonal Mechanisms, Frontiers in Psychology 2014, Vol. 5, A 1096, https://doi.org/10.3389/fpsyg.2014.01096.
- Tillmann Barbara, Bharucha Jamshed J., and Bigand Emmanuel, Implicit Learning of Tonality: A Self-Organizing Approach, Psychological Review 2000, Vol. 107, No. 4, s. 885–913, https://doi.org/10.1037/0033-295X.107.4.885.
- Tomlinson Gary, A Million Years Of Music: The Emergence Of Human Modernity, The MIT Press, Cambridge, London 2015.
- Trehub Sandra E., “Cross-Cultural Convergence of Musical Features, Proceedings of the National Academy of Sciences 2015, Vol. 112, No. 29, A 8809 LP–8810, https://doi.org/10.1073/pnas.1510724112.
- Watson Stuart K., Townsend Simon W., Schel Anne M., Wilke Claudia, Wallace Emma K., Cheng Leveda, West Victoria, and Slocombe Katie E., “Vocal Learning in the Functionally Referential Food Grunts of Chimpanzees, Current Biology 2015, Vol. 25, No. 4, s. 495–499, https://doi.org/10.1016/j.cub.2014.12.032.
- Weinstein Daniel, Launay Jacques, Pearce Eiluned, Dunbar Robin I.M., and Stewart Lauren, “Singing and Social Bonding: Changes in Connectivity and Pain Threshold as a Function of Group Size, Evolution and Human Behavior 2016, Vol. 37, No. 2, s. 152–158, https://doi.org/10.1016/j.evolhumbehav.2015.10.002.
- Wurz Sarah, Interpreting the Fossil Evidence for the Evolutionary Origins of Music, Southern African Humanities 2009, Vol. 21, s. 395–417.
- Zemp Hugo, “ ‘Are’are Classification of Musical Types and Instruments, Ethnomusicology 1978, Vol. 22, No. 1, s. 37–67, https://doi.org/10.2307/851365.
- Zuberbühler Klaus, Cheney Dorothy L. and Seyfarth Robert M., “Conceptual Semantics in a Nonhuman Primate, Journal of Comparative Psychology 1999, Vol. 113, Nr 1, s. 33–42, https://doi.org/10.1037/0735-7036.113.1.33.