Opublikowane 13.07.2023 — zaktualizowane 14.09.2023
Wersje
- 14.09.2023 - (2)
- 13.07.2023 - (1)
Słowa kluczowe
- efekt Baldwina ,
- muzykalność,
- puls muzyczny,
- synchronizacja dźwiękowo-ruchowa,
- uczenie się wokalne
- wysokość muzyczna ...More
Prawa autorskie (c) 2023 Filozoficzne Aspekty Genezy
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne 4.0 Międzynarodowe.
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Abstrakt
Jednym ze szczególnych rodzajów świadomych doznań człowieka jest doświadczenie muzyki. Wyjątkowość doświadczeń muzycznych wiąże się z trudnym do wyrażenia rodzajem przeżyć o charakterze przedkonceptualnym. Muzyka jest jednocześnie zjawiskiem generatywnym, przypominającym pod tym względem język naturalny, i tak jak język naturalny jest specyficzna dla gatunku Homo sapiens. By zrozumieć przyczyny specyfiki doświadczenia muzyki, trzeba odpowiedzieć na pytanie o genezę ludzkiej muzykalności. Tę ostatnią wyznacza zestaw zdolności poznawczych umożliwiających rozpoznawanie muzyki i aktywność muzyczną. Celem artykułu jest zarysowanie współczesnych poglądów na genezę muzykalności oraz wskazanie na możliwą rolę ewolucji muzykalności w powstaniu złożonej świadomości konceptualnej, jaka charakteryzuje współczesnych ludzi. W artykule zostały przedstawione prawdopodobne funkcje adaptacyjne muzyki oraz ich związek z kluczowymi dla doświadczenia muzyki zdolnościami poznawczymi, a także hipotetyczna rola ewolucji baldwinowskiej w powstaniu muzykalności. Procesy tej ewolucji mogły być przyczyną powstania cech generatywnych muzyki. Powstanie generatywności muzycznej w zaproponowanym scenariuszu ewolucyjnym stało się punktem zwrotnym ewolucji złożonej świadomości konceptualnej człowieka, umożliwiając wykorzystanie mechanizmu generatywnego do tworzenia złożonych relacji hierarchicznych pomiędzy istniejącymi wcześniej składowymi pierwotnej świadomości konceptualnej.
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